The BFI today announces that Danny Leigh and Will Massa have joined the BFI National Archive curatorial team, directly reporting to Robin Baker, BFI Head Curator. In his new role as Senior Curator of Fiction Film and Television, Danny will help to develop, interpret and care for this world class collection, bringing the treasures to as wide an audience as possible. Danny’s remit includes building the BFI’s National Archive’s collection of new British film and TV – including new and emerging forms of moving image – alongside Will who has been appointed Curator of Contemporary Fiction Film in a newly created role.
Both of these exciting new appointments mark a new strategic focus for the Archive in helping the curatorial team to engage more fully with the contemporary film and TV industries, to ensure that the BFI are able to bring a wider range of the best new and recent British film and television into the national collection. Will joined the BFI in May with Danny starting on 26th June.
Danny comes with a wealth of over 20 years’ experience working in film journalism. He writes regularly for the Financial Times and The Guardian. As a broadcaster, he has been co-host of BBC1’s long-running Film programme, Film 2017 and has written and presented documentaries for BBC4 and Radio 4 as well as making films for BBC Arts Digital. As a programmer, he was part of the team that launched the educational charity Film Club (now Into Film), and has worked with numerous festivals and independent cinemas. He has had a long relationship with the BFI, writing for Sight & Sound and as a seasoned speaker and moderator appearing at live on stage events at BFI Southbank. He recently consulted on the BFI’s Alan Clarke and London projects. He is also a novelist, and is writing his third book for Faber & Faber.
Will joins the BFI from the British Council’s Film department where he was Senior Programme Manager, delivering a variety of UK film showcasing and partnership projects across the Americas and EU Europe. Prior to the British Council Will worked in talent development at regional screen agencies Screen Yorkshire and North West Vision+Media and was an Associate Partner at programming consultancy Reel Solutions. From 2011-2013 he was Head of Development on Rankin Film Productions’ national short film initiative Collabor8te and is currently a board member at Encounters Short Film and Animation Festival in Bristol.
Danny Leigh said “A place is nothing without memory, and in Britain the BFI National Archive is our national memory kept alive in moving pictures. You don’t get many chances to shout from the rooftops about screen history at the same time as celebrating the most vital film and TV happening now, and I feel very lucky because this new role at the Archive gives me exactly that chance. It’s going to be a thrill and a privilege to make it my new home.”
Will Massa said “I am absolutely thrilled to be joining the BFI’s Curatorial team. It’s a real privilege to join such a passionate group of experts and I’m looking forward to engaging with filmmakers and the broader industry to make sure that contemporary British filmmaking is comprehensively represented within the national collection.”
Robin Baker, BFI Head Curator, BFI National Archive said “We’re delighted to be welcoming Will and Danny to the BFI’s team of expert film and TV curators, bringing an extraordinary range of knowledge and experience with them. They will play a vital role in building the national collection of film and TV. As well as developing the BFI’s cultural programme Will and Danny will be working with contemporary filmmakers, production companies, broadcasters and festivals to ensure that the BFI is able to collect the best new British work – and that it is safely preserved in the BFI National Archive for future generations. The story of British film and TV is full of missing titles: films and programmes that were lost or wiped. In the digital age there is an even greater risk of films going AWOL, maybe forever. So Will and Danny will be looking for the support of the filmmaking community to make sure that new filmsare safe and fully preserved as soon as they are made.”